Essays, Memoirs, & True Stories  January 2007 | issue 373

The Seed

by Marc Polonsky

The complete text of this selection is available in our print edition.

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MARC POLONSKY lives in Camp Meeker, California, and cohosts a radio show on kows in Occidental called Commanders of the Airwaves.

www.marcwordsmith.com

The Seed was a controversial youth drug-rehabilitation program that flourished in south Florida when I was a teen in the early 1970s. Founded by former comedian and recovering alcoholic Art Barker, it was modeled after adult treatment programs and administered by unlicensed staff. The Seed utilized coercive techniques such as aggressive confrontation, intimidation, verbal abuse, sleep deprivation, and restricted access to the bathroom to tear down a teen’s sense of self and replace it with the ready-made identity of a “Seedling.”

The Seed was highly publicized, and the attention eventually proved destructive to the program. In 1974 the U.S. Senate published a study that accused the Seed of using methods similar to North Korean communist brainwashing techniques. The bad press, in conjunction with legal pressure from the National Institute on Drug Abuse and the drying up of federal funds, forced the Seed to scale back its operations dramatically. By the 1980s it had shrunk to a fraction of its former size and was officially admitting only voluntary clients. The Seed endured in this diminished capacity until it finally closed in 2001.

Today hundreds of similar programs are in operation throughout the United States and abroad. Some are even run by former Seed staffers. By most accounts, these programs are much harsher than the Seed.

I was in ninth-grade science class one afternoon in October 1972 when a note arrived summoning me to the dean’s office. My older sister, Judy, was already there. “Mommy needs us,” she said. I could tell by the apprehension in her eyes that she knew nothing more. I imagined my grandmother might be very sick, perhaps even dying.

My sister and I sat in front of the school until our parents pulled up. There were two other adults with them, a couple they introduced to us as “Mr. and Mrs. J.” I was relieved, because I could tell from my parents’ jovial attitude that nothing terrible had occurred. My sister and I got in the back seat. I didn’t think it unusual that Mrs. J. took the window seat next to my sister and Mr. J. got in on the other side, next to me; my mood had lightened considerably by then. Our mother encouraged us to try to guess where we were going. After a few minutes she gave my sister a hint: “Remember that news story we saw on TV the other night?”

“Oh,” my sister replied. “The Seed.”

I had heard of the Seed. It was a drug-rehabilitation center. My experience with drugs consisted of having smoked marijuana about ten times. My parents didn’t know this for a fact but were concerned about the company I was keeping and my disrespectful attitude toward them. Judy was also a source of worry to them because of her more blatant drug use and rebellious streak. I imagined they were taking us on a tour of this place to scare us. I mentioned to my father that I had a chess-club meeting that afternoon and did not want to miss it.

We arrived at an old warehouse surrounded by a chain-link fence. Two young men sitting on chairs by the driveway stopped our car briefly, then let us park. In the reception office a middle-aged woman named Vera sat down to talk with us. She addressed my sister first, asking her age, grade in school, and the kinds of drugs she had used. My sister answered frankly. There followed a peculiar exchange in which Vera made insulting remarks about my sister’s character and lifestyle, for no apparent reason other than to goad her. Judy’s reaction was first astonishment, then hostility. Meanwhile young people came in and out of the office, calling out greetings to Vera or bringing her messages. These were not kids receiving treatment but Seed staff members, I’d later discover, all of whom had been through the program. After each interaction Vera would say in a singsong voice, “Looove you.”

Toward the end of her prickly conversation with Judy, Vera revealed that my sister and I would be staying at the Seed for a while, and that we had no choice. I was shocked. We were not “druggies,” as Vera charged. I had no concept of what was really going on, and was sure we would get out soon, once the Seed realized its mistake. I even said to my sister, who was upset, “It’s OK. We’ll just agree with what they say, and then we can go.”

When Vera finally got around to me, she asked how old I was (fourteen) and what drugs I had used. I told her just pot. “Don’t bullshit me,” she said with a sweet, contrived voice and an intimidating stare.

While Vera was doing my intake, my sister had to use the bathroom. She was accompanied by a chaperone, another girl her age. A few minutes later a female Seed staff member approached my parents and informed them that my sister’s attitude was rotten. She explained: “We have a rule here that when a newcomer goes to the bathroom, someone must be there to hold her hand. Your daughter didn’t accept this, and she swung at the other girl.”

My sister and I were taken to separate rooms to be searched. I had to strip, and my keys and money were turned over to my parents. Then Judy and I were led to a long, stark, cement-walled room where about three hundred young people, ranging in age from twelve to their midtwenties, sat in rows of folding chairs. They all faced a young man seated on a high stool and holding a microphone. The boys and girls — whom the man referred to as “guys” and “chicks” — were separated by a wide aisle down the middle of the room. (Males and females were always separated at the Seed.) The windows were eight or nine feet up on the walls, and the two doors were guarded by Seed staffers. A sign on the wall proclaimed, “You’re not alone anymore.”

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