June 1994
The Meek
“A tough row to hoe” is not a casual metaphor if you’ve actually done it. Unless you’ve picked cotton. My mother picked cotton as a child. For her, hoeing a garden was leisure compared to pulling the heavy sacks and slicing her hands to ribbons on the sharp, dry husks of the cotton boles.
An Encounter
This afternoon, waiting for the crosstown bus at 79th and Third Avenue, leaning wearily against the shelter support — a long wait — I saw Christ.
The Forgotten Children
When I pushed away the cot and lifted the trapdoor, his eyes glinted for a moment like an animal’s in the beam of Mother’s flashlight. Biscuit crumbs clung to his mouth, and around his shoulders was the old blanket he’d secreted away. I reached down to help him up, but he shrank from me, his eyes filled with hatred.
Portrait Of The Artist
I was painting on the night my mother died. Without realizing it then, I was saved by my obstinacy, my insistence on painting no matter what. Although painting has never been a replacement for tears — or for joy either — it was a healer for that moment.
Corned Beef On Rye
When I was seven, my father used to complain that I ate like a dinosaur — the kind that stood on its hind legs and ripped off tree branches with its mouth. The louder he yelled at me, the more I used my spoon like a shovel, until he’d wrap his fingers around my wrist and squeeze so tightly I couldn’t breathe.
Thorns Into Feathers
Coping With Chronic Illness
When I heard the first melancholy notes of the cello in Schumann’s A Minor Concerto, my world changed. I knew the music of illness when I heard it.
The Neugents
In the tobacco country of rural North Carolina, David M. Spear has photographed a family of plain-living people, and the beauty of his vision is startling. An old woman preparing to shampoo loosens her long, white hair; it floats, diaphanous, over a bowl of water. A man lying in bed gazes out a grimy window, his weathered, pensive face illuminated by sunlight.