Smoking in the girls’ room, sneaking a drink, napping
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A fire drill, an ancient site, a magical opening
When sent to the “box,” I would try to smuggle in a fragment of pencil lead, usually by hiding it in my cheek. Then I could spend my time drawing castles — on scraps of newspaper or directly on the floor and walls.
The county jail looked like a tall, forbidding elementary school. Seven stories of dirty-brown brick, one hundred years old and now operating at 330 percent of capacity. Richard Price
The county jail looked like a tall, forbidding elementary school. Seven stories of dirty-brown brick, one hundred years old and now operating at 330 percent of capacity.
Richard Price
Prison deepened my sister’s addiction, crushed her self-esteem, narrowed her options for jobs and education, and diminished her hope for a good life. She was in a much worse situation each time she came out.
My mother became a missing person in the summer of 1994, when I was fourteen. The day she disappeared, she told my father and me she was going to the Piggly Wiggly in Lineville, about ten miles from our home in Delta, Alabama. She didn’t come back.
November 15, 1975, 3 AM on a Saturday morning, two months after my twentieth birthday. When the police came knocking on my door, I was sleeping. I’ve heard that’s how evil comes, in the dark of night. It don’t want to be seen.
It’s not surprising that trauma is the number-one killer of people under forty, but it had never been so obvious to me before I worked at a hospital.
For the last eight years, Michael Dvorak has photographed people in his home state of Minnesota. Taken at county fairs, parades, and on the streets in and around Minneapolis, the images are part of a series he calls “Close to Home.”