Leaving
Peering into each room of THE SUN, I look for what I want to carry with me, travel clothes for the psyche to wear to the next chapter, where I don’t know a soul, have had no previews.
Peering into each room of THE SUN, I look for what I want to carry with me, travel clothes for the psyche to wear to the next chapter, where I don’t know a soul, have had no previews.
If we examine our fear of death we see in it a fear of the moment to follow, over which we have no control. In it is a fear of impermanence itself, of the next unknown changing moment of life.
A woman in a gray hooded coat, with hands in her pockets, is actually dancing alone at the bus stop a block away. She is turning and twirling with herself, and now with me, and now with you.
My brother is weird. I never know what he’s going to do next. Like the time he decides around three o’clock on an August afternoon that he’s going to climb the Franklin Mountains.
It is typhoon season in Japan. The wind rips raveningly at the grass roofs and scatters bales of hay across the fields. It buries the land beneath torrents and pools and knocks down the drenched passersby as they strive for home.
*NOTE: Original copies of this issue are no longer available. Unbound, laser-printed copies will be provided for print orders.
Chest pains, milk-and-honey days, my best friend
We've lifted our paywall. In this time of isolation, we want to share stories about what connects us, the challenges we face, and the moments when we rise to meet them.
