Featured Selections
From the Archives
What We Came For
They had to wait a long time for the harvest to begin. Gerard talked to Kate of nothing else for weeks. He imagined the two of them working their way across Canada, then down the West Coast of the U.S., picking fruit and living like gypsies.
October 1996Going Against The Dragon
An Interview With Robert Bly
Some dragons don’t want to be lifted up into the heart area. That’s their place down where they are. You go down and meet them on their ground. “I’m going to lift you up and bathe you in the violet light of the heart.” What do they care about that?
November 1983Instrument Of The Immortals
Miss Eva Hodges, my piano teacher for eight years, now deceased, would be gratified to learn that I bought the Steinway. She’d be proud of me.
March 1991What Miss Lena Prays For
Miss Lena goes into the dressing room, closes the folding three-way mirror, gets down on her knees, and prays. I wonder if she’s really praying for customers, as she tells me, or if she’s praying for bigger things, like peace in Yugoslavia, where she is from and which she calls Yugo, or maybe an end to homelessness. It seems to me you shouldn’t waste a prayer on attracting customers.
September 1998The Mayfly Glimmer Before Last Call
Jackie was nineteen, a cocktail waitress in Niagara Falls, New York. She worked in a bar on the other side of town and would come into our place with the other waitresses after her shift was up. Jackie was something else, the way she shook her hair.
November 1998Saving The Indigenous Soul
An Interview With Martín Prechtel
The Mayans say that the other world sings us into being. We are its song. We’re made of sound, and as the sound passes through the sieve between this world and the other world, it takes the shape of birds, grass, tables — all these things are made of sound. Human beings, with our own sounds, can feed the other world in return, to fatten those in the other world up, so they can continue to sing.
April 2001Stealing Souls
Thoughts On Photography
I never took quite the same kind of photograph again. From that moment on I regarded the taking of a photograph as a personal act, as personal as the writing of a poem — deep and perilous, intellectual and beautiful.
March 1983The Myth Of Therapy
An Interview With James Hillman
What one feels is very important, but how do we connect therapy’s concerns about feeling with the disorder of the world, especially the political world? As this preoccupation with feeling has grown, our sense of political engagement has dropped off. How does therapy make the connection between the exploration and refinement of feeling, which is its job, and the political world — which it doesn’t think is its job?
April 1991Behold
For a Catholic kid, there was nothing good about Good Friday. From dawn to dusk, we had to fast on toast and tea, and then, when we were good and starving, we had to choke down a bowl of my mom’s fish stew. We couldn’t cut loose or even watch TV. We were supposed to mope around looking glum. We spent the entire afternoon in church.
June 2004
