Don’t tap your foot. Listen to the words. If I was to be marooned on a South Sea Island with a half dozen metaphors, that would be one. It’s as elastic as a new pair of underwear, and snugly fits the times. Marooned last month in California, at the Whole Earth Jamboree, I listened. In California, the beat is compelling. It’s a state, and a state of mind, where everything seems possible, where the dreams of an age sink down roots, and grow, as dramatically as Findhorn’s 40-pound cabbages, yet may die before their seeds are carried “in from the coast.” Reflecting the best and worst in ourselves, it’s still the frontier, ever receding; the deeper we go into ourselves, the more there is to discover.

What most impresses me about the work of V.S. Pritchett is its stunning variety. I am faced with the question that often arises in confronting a substantial artist: how can he know all that he does? Each story is unique in its characters, techniques, its tone: each creates its own small peculiar world. “Blind Love,” the title story of an earlier volume, and the third story in this one, deserves special mention.