Poe Ballantine On Writing, Madness, And His Journey From Vagabond To Family Man
My point is that good writers are after the truth. We’re trying to draw the blood from real life and use it to make the words come alive, and that kind of alchemical process can be, you know, hazardous. But if you don’t get into trouble, if you don’t gamble, if you don’t present a sticky situation, if you’re not facing a monster, then you’re simply not going to be interesting, from a commercial or an artistic point of view. If you want to make a difference and stand out, you’re obliged to sound the depths.