September 2021
Refugees, Late Summer Night
Out there, in the dark, they could have been / anyone: refugees from Rwanda, slaves pushing north. / Palestinians, Romani, Armenians, Jews. . . . / The lights of Tijuana, that yellow haze to the west, /could have been Melos, Cracow, Quang Ngai. . . .
Sunbeams
The problem with labels is that they lead to stereotypes and stereotypes lead to generalizations and generalizations lead to assumptions and assumptions lead back to stereotypes. It’s a vicious cycle, and after you go around and around a bunch of times you end up believing that all vegans only eat cabbage and all gay people love musicals.
September 2021
The Longest Road
Margareta Matache On The Persecution And Perseverance Of The Roma
I think it is fascinating how the Roma, a people who have continuously moved or been expelled from one country or another, and who have been often denied the use of their language, have managed to hang on to a sense of Roma-ness, if you will.
A Tribute To Chris Bursk
The selection that follows — just a small sample of the fifty-plus poems of his that have appeared in The Sun — display the heart and honesty that first drew us to Chris’s work in 1977. A self-described “compulsive writer,” Chris once said, “I do not wait for inspiration. . . . Some days I watch the page until a few words come — and then I find myself inside the world they invite me into.” That world will be missed.
A Thousand Cups Of Coffee
It’s like arriving at your destination after a long drive, only to realize your mind has been elsewhere the entire time and you have no memory of the lights you stopped at, the turns you made, the glide in and out of traffic. Morning arrives again, and I stand in the kitchen, startled to exist.
The Interpreter
The first time I saw Bak Hoo, she was peeing into a big Del Monte pineapple can in the basement. I froze on the cellar steps at the sight. Bak Hoo was my great-grandma.
Ungrown
The cataracts give her an otherworldly countenance, like a blind prophet who gazes more easily into the past than into the present. She is otherworldly, because she isn’t a part of this time where I dwell — not fully. She floats closer to us and then away again before we can grasp her.
