With a broken-down oven, in a hotel kitchen, on an uninhabited island
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A new feature in the magazine, A Thousand Words features photography so rich with narrative that it tells a story all on its own.
Maybe I write because I want visibility and invisibility, each on my own terms. I want you to accept these paragraphs as photographs from my mind, and I want these photographs to tell you something useful about me. Yet I don’t want you to see me.
We went to sleep, and in the morning they were here. We saw them on our screens as they emerged from a grove of trees a hundred miles west of us. Their ship had crashed. It was made of a rose-gold metal and looked like a claw with a broken tip. Within hours the government had moved these beings — the “blues,” we eventually came to call them — to a holding station outside the nearest city. There we could watch them whenever we wanted, because of the cameras in each room.
A fire drill, an ancient site, a magical opening
It’s not surprising that trauma is the number-one killer of people under forty, but it had never been so obvious to me before I worked at a hospital.
Running away, getting married, eating at the food court
My sister is a writer. She writes terrible things about me. She thinks she is telling the family secrets, but we all think she’s hysterical.
Brothers, no-kidding eyes, bean holes