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Sunbeams

It appears to me impossible that I should cease to exist, or that this active, restless spirit, equally alive to joy and sorrow, should only be organized dust—ready to fly abroad the moment the spring snaps, or the spark goes out, which kept it together. Surely something resides in this heart that is not perishable.

Mary Wollstonecraft

Making Luxury Out of Flat Soda

I learned to breathe in my grandmother’s kitchen / despite life sitting on my chest. / Scent of cast-iron skillet seasoned by sunrises / and ancestors’ touch. Gospels of sizzling grease / and bubbling greens my uncle called hallelujah and amen.

The Wind Phone

The prairie grass has always drawn things into its orbit. I’ve seen rabbits hide among the bluestem, and the occasional red fox, and after every storm there are objects that blow or float past and entangle themselves in the switchgrass and fescue. . . . Tonight, a windy September evening, a shiny new object has appeared in my yard, like a loose mylar balloon blown by the wind.

Greenie

Sometimes I wonder if that moment when I came into the house after school, during a time when I was mostly friendless, dressed in matronly, dated clothes from the Cancer Society thrift shop, barred by my mother from concerts, movies, and parties, and I sat down at the table and was grabbed hard by my grandmother’s hand, which seemed to hold a charge of energy—sometimes I wonder if that moment, that physical connection, that pinch, was how I survived.

Old Souls

Jim Tucker on Children’s Memories of Past Lives

Askey: This is perhaps an ontological question, but do you think James Huston became James Leininger, or is there some other entity—some consciousness, some soul—that was once James Huston and is now James Leininger?

Tucker: The latter much more than the former, I think. We can only speculate, but to my mind there may well be this larger self that has different lifetimes. It’s a core that continues, though the people it inhabits are different. I use the analogy of actors in movies. When you see Jimmy Stewart in a movie, it’s undeniably Jimmy Stewart, and yet he can play very different characters.

Love and Other Pandemics

The thing about the apocalypse is that nobody said it would be so beautiful. Spring is letting down her hair. The air is warm, sweet, and clear. Moss drapes over a storm drain, parting for the rush of early-morning runoff. A heavy quiet has descended since we took to our homes, save for the shrieking hawks circling the shuttered strip-mall parking lot next door to my mother’s house outside of Philadelphia.

Butter

I went on absorbing Beth’s hostile digs until a new patient stole her attention from me. Louise had a round face, dark curly hair, and a generous, pear-shaped body. Her weight seemed concentrated in her thighs. When she arrived at lunch for the first time, her figure filling the doorframe, Beth’s eyes brightened as if she were an African lion coming upon a gazelle. I could practically feel my tormentor’s focus lift off me.

Flower People

There was a rumor the NAACP would call for a boycott of white-owned businesses. Eugene’s mother said it wasn’t clear what the objective would be, except to piss off white people and make Black people feel in control of something. “A show of Black power,” she said, holding up a fist from the living-room sofa, but she was worried more people would be killed.

Past Futures

billy woods on the Cycles and Patterns of Human History

It just takes the right person, at the right time, to light the right spark and make what previously would have seemed impossible the law of the land. When I was a child, Somalia had a government. They might not have one again for the rest of my life.

Thoreau and Me

Thoreau was the same sort of hippie I am. The main difference between us is that I do not want my writing to be as absolutely sexless as his. I want to be a Thoreauvian capable of lust.