Candlelight
Crossing the porch in the hazy dusk
to worship the moon rising
like a yellow filling-station sign
on the black horizon,

you feel the faint grit
of ants beneath your shoes,
but keep on walking
because in this world

you have to decide what
you’re willing to kill.
Saving your marriage might mean
dinner for two

by candlelight on steak
raised on pasture
chopped out of rain forest
whose absence might mean

an atmospheric thinness
fifty years from now
above the vulnerable head
of your bald grandson on vacation

as the cells of his scalp
sautéed by solar radiation
break down like suspects
under questioning.

Still you slice
the sirloin into pieces
and feed each other
on silver forks

under the approving gaze
of a waiter
whose purchased attention
and French name

are a kind of candlelight themselves,
while in the background
the fingertips of the pianist
float over the tusks

of the slaughtered elephant
without a care,
as if the elephant
had granted its permission.
Self-Improvement
Just before she flew off like a swan
to her wealthy parents’ summer home,
Bruce’s college girlfriend asked him
to improve his expertise at oral sex,
and offered him some technical advice:

Use nothing but his tongue tip
to flick the light switch in his room
on and off a hundred times a day
until he grew fluent at the nuances
of force and latitude.

Imagine him at practice every evening,
more inspired than he ever was at algebra,
beads of sweat sprouting on his brow,
thinking, Thirty-seven, thirty-eight,
seeing, in the tunnel vision of his mind’s eye,
the quadratic equation of her climax
yield to the logic
of his simple math.

Maybe he unscrewed
the bulb from his apartment ceiling
so that passersby would not believe
a giant firefly was pulsing
its electric abdomen in 13-B.

Maybe, as he stood
two inches from the wall,
in darkness, fogging the old plaster
with his breath, he visualized the future
as a mansion standing on the shore
that he was rowing to
with his tongue’s exhausted oar.

Of course, the girlfriend dumped him:
met someone, après-ski, who,
using nothing but his nose,
could identify the vintage of a Cabernet.

Sometimes we are asked
to get good at something we have
no talent for,
or we excel at something we will never
have the opportunity to prove.

Often we ask ourselves
to make absolute sense
out of what just happens,
and in this way, what we are practicing

is suffering,
which everybody practices,
but strangely few of us
grow graceful in.

The climaxes of suffering are complex,
costly, beautiful, but secret.
Bruce never played the light switch again.

So the avenues we walk down,
full of bodies wearing faces,
are full of hidden talent:
enough to make pianos moan,
sidewalks split,
streetlights deliriously flicker.
Adam And Eve
I wanted to punch her right in the mouth and that’s the truth.

After all, we had gotten from the station of the flickering glances
to the station of the hungry mouths,
from the shoreline of skirts and faded jeans
to the ocean of unencumbered skin,
from the perilous mountaintop of the apartment steps
to the sanctified valley of the bed —

the candle fluttering upon the dresser top, its little yellow blade
sending up its whiff of waxy smoke,
and I could smell her readiness
like a dank cloud above a field,

when at the crucial moment, the all-important moment,
the moment standing at attention,

she held her milk white hand agitatedly
over the entrance to her body and said, No,

and my brain burst into flame.

If I couldn’t sink myself in her like a dark spur
or dissolve into her like a clod thrown in a river,

can I go all the way in the saying, and say
I wanted to punch her right in the face?
Am I allowed to say that,
that I wanted to punch her right in her soft face?

Or is the saying just another instance of rapaciousness,
just another way of doing what I wanted then,
by saying it?

Is a man just an animal, and is a woman not an animal?
Is the name of the animal power?
Is it true that the man wishes to see the woman
hurt with her own pleasure

and the woman wishes to see the expression on the man’s face
of someone falling from great height,
that the woman thrills with the power of her weakness
and the man is astonished by the weakness of his power?

Is the sexual chase a hunt where the animal inside
drags the human down
into a jungle made of vowels,
hormonal undergrowth of sweat and hair,

or is this an obsolete idea
lodged like a fossil
in the brain of the ape
who lives inside the man?

Can the fossil be surgically removed
or dissolved, or redesigned
so the man can be a human being, like a woman?

Does the woman see the man as a house
where she might live in safety,
and does the man see the woman as a door
through which he might escape
the hated prison of himself,

and when the door is locked,
does he hate the door instead?
Does he learn to hate all doors?

I’ve seen rain turn into snow then back to rain,
and I’ve seen making love turn into fucking
then back to making love,
and no one covered up their faces out of shame,
no one rose and walked into the lonely maw of night.

But where was there, in fact, to go?
Are some things better left unsaid?
Shall I tell you her name?
Can I say it again,
that I wanted to punch her right in the face?

Until we say the truth, there can be no tenderness.
As long as there is desire, we will not be safe.
Benevolence
When my father dies and comes back as a dog,
I already know what his favorite sound will be:
the soft, almost inaudible gasp
as the rubber lips of the refrigerator door
unstick, followed by that arctic

exhalation of cold air;
then the cracking of the ice-cube tray above the sink
and the quiet ching the cubes make
when dropped into a glass.

Unable to pronounce the name of his favorite drink, or to express
his preference for single malt,
he will utter one sharp bark
and point the wet black arrow of his nose
imperatively up
at the bottle on the shelf,

then seat himself before me,
trembling, expectant, water pouring
down the long pink dangle of his tongue
as the memory of pleasure from his former life
shakes him like a tail.

What I’ll remember as I tower over him,
holding a dripping, whiskey-flavored cube
above his open mouth,
relishing the power rushing through my veins
the way it rushed through his,

what I’ll remember as I stand there
is the hundred clever tricks
I taught myself to please him,
and for how long I mistakenly believed
that it was love he held concealed in his closed hand.
Beauty
When the medication she was taking
caused tiny vessels in her face to break,
leaving faint but permanent blue stitches in her cheeks,
my sister said she knew she would
never be beautiful again,

After all those years
of watching her reflection in the mirror,
sucking in her stomach and standing straight,
she said it was a relief,
being done with beauty,

but I could see her pause inside that moment
as the knowledge spread across her face
with a fine distress, sucking
the peach out of her lips,
making her cute nose seem, for the first time,
a little knobby.

I’m probably the only one in the whole world
who actually remembers the year in high school
she perfected the art
of being a dumb blond,

spending recess on the breezeway by the physics lab,
tossing her hair and laughing that canary trill
which was her specialty,

while some football player named Johnny
with a pained expression in his eyes
wrapped his thick finger over and over again
in the bedspring of one of those pale curls.

Or how she spent the next decade of her life
auditioning a series of tall men,
looking for just one with the kind
of attention span she could count on.

Then one day her time of prettiness
was over, done, finito,
and all those other beautiful women
in the magazines and on the streets
just kept on being beautiful
everywhere you looked,

walking in that kind of elegant, disinterested trance
in which you sense they always seem to have one hand
touching the secret place
that keeps their beauty safe,
inhaling and exhaling the perfume of it —

It was spring. Season when the young
buttercups and daisies climb up on the
mulched bodies of their forebears
to wave their flags in the parade.

My sister just stood still for thirty seconds,
amazed by what was happening,
then shrugged and tossed her shaggy head
as if she was throwing something out,

something she had carried a long ways,
but had no use for anymore,
now that it had no use for her.
That, too, was beautiful.

The poems on these pages are excerpted from Donkey Gospel, by Tony Hoagland. © 1998 by Tony Hoagland. They appear here by permission of Graywolf Press, St. Paul, Minnesota.