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House Of Horrors

An Icon For Our Time

Stewart Brand On The Ten-Thousand-Year Clock

In the opening manifesto for the Long Now Foundation, I wrote, “Civilization is revving itself into a pathologically short attention span.” Because of accelerating technology and global economics, the pace of change is so rapid that it’s both exciting and kind of disorienting. Because it’s exciting, we will probably keep doing it. And because it’s disorienting, we’ll have some questions about it. The Clock speaks to that disorientation.

The Long Now

The concept of the Long Now places us where we belong, neither at the end of history nor at the beginning, but in the thick of it. We are not the culmination of history, and we are not start-over revolutionaries; we are in the middle of civilization’s story.

Sunbeams

The first mystery is simply that there is a mystery, a mystery that can never be explained or understood, only encountered from time to time. Nothing is obvious. Everything conceals something else.

Lawrence Kushner

Experiencing Deep Time

Brian Swimme On The Story Of The Universe

The universe story isn’t just about human beings, but also about trees, for example. You can’t fully understand trees if you understand only their hundred-year life cycle. You’ve got to go back to the very beginning of the universe. Now, that’s what I mean by cosmology as empowerment. When we realize that the world we live in today is a creation of an energy and power that is that deep and that old, it helps us get away from the idea that we’re the managers of the planet and know all about what’s going on here.

Of Coyotes And Conversations

On the way to the chopping block, I picked up the hatchet. I laid him down, and he stretched out his neck. I swung the hatchet, but alas, not hard enough. He was wounded. His eyes caught mine, and I will never forget that look. They were soft, like a lover’s, and they said, “This hurts. Get it over with.” I swung again, and he was dead.

Saving The Indigenous Soul

An Interview With Martín Prechtel

The Mayans say that the other world sings us into being. We are its song. We’re made of sound, and as the sound passes through the sieve between this world and the other world, it takes the shape of birds, grass, tables — all these things are made of sound. Human beings, with our own sounds, can feed the other world in return, to fatten those in the other world up, so they can continue to sing.

Erased Edges

When, by some act of grace, the lines we think are there dissolve, something else appears, something timeless and rich, an intermediate zone, languid and latent, the lushness of something about to be and in no particular hurry to make it happen. The boundary between physical and spiritual melts, and we see that one is always infused with the other.

Mean Cuisine

According to surveys, about half of American households have at least one person on a diet at any given time. Dieting is normal — more normal than eating what you want to eat. How many of us now live on various versions of Lean Cuisine during the workweek and pay premium for a plate of swordfish and greens on Saturday night?

The Grace Of Great Things

Reclaiming The Sacred In Knowing, Teaching, And Learning

Community goes far beyond our face-to-face relationship with each other as human beings. In education especially, community connects us with what Rilke called “the grace of great things.” We are, in reality, in community with the genes and ecosystems of biology, the great questions of philosophy and theology, the archetypes of literature, the artifacts of anthropology, the materials of engineering, the logic of systems and management, the shapes and colors of art, the patterns of history, the elusive idea of justice under the law — we are in community with all these great things. Great teaching is about knowing and feeling that community, and then drawing your students into it.