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Sunbeams

Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.

Roland Barthes

Written On The Bones

Kim Rosen On Reclaiming The Ancient Power Of Poetry

To me a good poem is like a sacred mind-altering substance: you take it into your system, and it carries you beyond your ordinary ways of understanding. I call the nonconceptual elements of a poem — the rhythm, the sound, the images — the “shamanic anatomy.” Like a shaman’s drum, the beat of a poem can literally entrain the rhythms of your body: your heartbeat, your breath, even your brain waves, altering consciousness. Most poems are working on all these levels at once, not just through the rational mind.

excerpted from
Letters To A Young Poet

A work of art is good if it has sprung from necessity. In this nature of its origin lies the judgment of it: there is no other.

Not Another Word

When I signed up for a “silent vipassanâ yoga and meditation retreat” at the Esalen Institute, I didn’t even know what the word vipassanâ meant, but I wasn’t worried about it. I planned to use the week as a personal sabbatical. I’d get up at sunrise and bathe in the hot tubs overlooking the Pacific, then drift into the morning sessions for a bit of yoga or meditation, and spend afternoons writing in the loft of the big blue art barn.

My Father, The Tree

My father saved people’s lives for a living. It was his job; if he hadn’t been there all those hundreds of nights in the ER, it would’ve been someone else who saved them — some other mortal man or woman sanctified by the white coat and stethoscope, living on too much coffee and too little sleep, required to look self-assured as bleeding, broken, screaming bodies were wheeled in over and over, night after night.

Troubled Youth

A brief, wet spring gave way to a murderously hot summer. The days were as long as medieval dragons and even harder to kill. It was so hot the squirrels took off their jackets, dredged their slender bodies in cornmeal, and arranged themselves with pearl onions in buttered pans.