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Art and Creativity
White Lady Of Once A Week
The child lolls half-asleep in the front seat. / “Why do it start and then stop?” The rain, she means. / “The clouds are banging into each other,” I tell her, / which is what someone told me when I was her age, seven.
March 2012Real Work
My first day was unbearable, much worse than I could have imagined, a textbook lesson in humility. My strength, stamina, and intelligence — in other words, my superiority — ended up not being worth a bent nail. Stepping onto the job site that first day at 6:45 AM, I had no idea what a hod was, even though the word had been embedded in my family lexicon, seared into my unconscious.
February 2012Illumination
On those cold, clear winter mornings, I rise in the dark, and I sit / beneath a lamp with a pen and paper in a circle of light / barely bright enough for the work.
August 2011Latin American Dreams
From 1992 to 2007 Martín Weber photographed hundreds of Latin Americans, each holding a chalkboard on which he had asked them to “write down a wish or a dream you have.” His goal, he says, was to give his subjects added dimension by allowing the viewer a glimpse of their personal stories. In their brief messages we see evidence of economic and political struggles, of human failings and aspirations, of broken hearts and enduring love.
August 2011Sunbeams
March 2011Opera is when a guy gets stabbed in the back, and, instead of bleeding, he sings.
excerpted from
Sonny’s Blues
Then Creole stepped forward to remind them that what they were playing was the blues. He hit something in all of them, he hit something in me, myself, and the music tightened and deepened, apprehension began to beat the air. Creole began to tell us what the blues were all about.
March 2011Sunbeams
December 2010Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
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