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The Wall of Death

The Wall of Death is a rare piece of Americana, a vintage live-action show featuring a silo-shaped wooden cylinder thirty feet in diameter. Inside this motordrome, daredevils on motorcycles ride a fourteen-foot wall.

Records

A favorite album, a fastest time, a handwritten note about an adoption

Wandering on the Margins

From 2017 to 2020 I took portraits of interesting characters on the streets of Venice Beach, Long Beach, Hollywood, and Anaheim, California. The work was motivated by my love of the human face and fascination with people who, for one reason or another, don’t blend in: street performers, members of cosplay subcultures, people experiencing homelessness, individuals dealing with substance abuse disorders. I offered each person lunch money in exchange for their picture. For the background I used a portable white backdrop—Richard Avedon–style. The nontraditional composition is an extension of the series title, a way of portraying a group of people who often occupy our peripheral field of vision. I also wanted to explore the human tendency to evaluate and even judge others based on limited information.

 —Andy Hann

Riverside

Photographs by Brody Hartman

Once we had settled into the new post-Helene normal, I felt called to venture into Asheville’s beloved River Arts District to document the storm’s aftermath. I wanted to honor the artisans, artists, and small-business owners who have poured their souls into this vibrant, creative community. The scale of the devastation and the sheer power of wind and water and mud were almost beyond comprehension.

Thoreau and Me

Thoreau was the same sort of hippie I am. The main difference between us is that I do not want my writing to be as absolutely sexless as his. I want to be a Thoreauvian capable of lust.

To the Bone

“To the Bone” is an ongoing photography project documenting daily life and work on a small family farm in the Hudson Valley. Emily, a single mother, manages their small farm with the help of her children. My intention is to explore the strength, dignity and love that keeps them deeply connected as a family, to each other and to their unique way of life on the farm.

Down in the Valley

Wendy Liu on the Tech Industry’s Power to Divide Us

Once I saw the development of new technology in class terms—how a particular kind of technology gives one group of people power over another—it started to feel more sinister.

A Thousand Words

A Thousand Words features photography so rich with narrative that it tells a story all on its own.

La Diáspora

People of sub-Saharan African descent have lived in what is today Mexico since the early days of Spanish colonization. . . . Today there are only a handful of communities left with large Black Mexican populations. The Costa Chica, the coastal region of southern Guerrero and northern Oaxaca, boasts the greatest number. . . . My experience in Juárez and the relative scarcity of information about Mexico’s Black communities made me curious to visit the Costa Chica myself. So a few years later I did. I ended up staying there for six months, forming friendships and documenting the residents’ daily life. This is a selection of photos from my time there.

The Salmonella Special

In twelve months I hadn’t set foot in a supermarket, hadn’t compared the prices of two brands of bread, hadn’t stood in a checkout line to buy anything, not even a pack of Tic Tacs. Everything I ate had been thrown away. Everything I ate, I’d found first.