Collecting bottles, tossing leftovers, taking out the garbage
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Featuring Bill McKibben, Rebecca McClanahan, Derrick Jensen, and more.
I can’t see the virus, but I feel its seeds in me. I can’t see my faith, but I feel its seeds in me, too.
Hearing that old phrase “a good death,” / which I still don’t exactly understand, / I’ve decided I’ve already / had so many, I don’t need another.
There isn’t really a reset button for life — a switch you can hit, after you’ve gone through something terrible, that lets you go back to the beginning and start over. But there should be.
I bow to the pencil, the pencil maker, the tree that gave its wood, the graphite that fills its core, and the mind that conceived pencil. I bow to all the teeth and jaws that have chewed pencils out of boredom or nervousness.
If we could have been inside his heart, if we could have been offered transportation from our Jerusalem to his heaven, this is what we might have absorbed: Abkar was not leading us in prayer. He was talking to God while we happened to be behind him, squeezed in so tightly we could hardly find places for our foreheads on flawless plush carpet.
My earliest Zen teachers were failure and my father, in that order. The first thing I failed at was being physically big. This wasn’t my fault, of course, but kids always feel directly responsible for how they look. And how I looked was small.
The path of progress has never taken a straight line, but has always been a zigzag course amid the conflicting forces of right and wrong, truth and error, justice and injustice, cruelty and mercy. Kelly Miller
The path of progress has never taken a straight line, but has always been a zigzag course amid the conflicting forces of right and wrong, truth and error, justice and injustice, cruelty and mercy.
Kelly Miller