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Counterculture

Essays, Memoirs, & True Stories

Killing Time

I was in a state of denial, of course, not only about the future, but also about the present. For there were many days I didn’t write in my journal, or even look for ways to better my family’s economic picture. I simply did nothing. Looking back from a distance of decades, I wish I’d been more aware that we are given a certain unknown number of days in our short lives.

By Stephen J. Lyons November 2006
The Sun Interview

Songs Of Experience

Patti Smith’s Journey From Rock Singer To Mother To Radical Icon

When it comes down to it, my personal identity, how I perceive myself as a human being, doesn’t have anything to do with how other people view me. I hope I’m seen as a good person, but I’m not like Judy Garland: I don’t need the applause. When I perform and the people are happy to see me, it’s a moving experience. Performing is a privilege. I always try to give it my all, no matter what the situation, no matter what kind of shit-hole I’m playing in. But I don’t count on it to reaffirm who I am. I don’t feel lost if I don’t have it.

By Greg King July 2005
Readers Write

Possessions

Walking around the block after sunset in pj’s and bathrobe, hoarding corks in a million-dollar house, trading wedding crystal for a minitoilet

By Our Readers June 2005
Essays, Memoirs, & True Stories

The Good Life Revisited

For reasons I will never know for certain, my ex-husband and I were among the few people to whom Helen and Scott Nearing, authors of the back-to-the-land bible Living the Good Life, decided to sell part of their Maine farm.

By Jean Hay Bright January 2005
Essays, Memoirs, & True Stories

The Experiment

At first it was just another dream that floated out of the sixties, a time of many dreams. There were dreams of peace, of social justice, of people working together and living together and sleeping together and getting high together and making music together. Our particular dream was to move to the country and produce radio.

By Patricia Anderson July 2004
The Sun Interview

Rise Like Lions: The Role Of Artists In A Time Of War

An Interview With Howard Zinn

We’re fooling ourselves if we think that, because we don’t have a totalitarian system or a military dictatorship, we have a real democracy with free elections. How hypocritical it is of the United States to demand that other countries have free elections, when we ourselves have elections that are not free.

By David Barsamian July 2004
The Sun Interview

Weapons In The War For Human Kindness

Why David Budbill Sits On A Mountaintop And Writes Poems

Leading up to the war, I doubted the value of anything but antiwar poetry. I thought all my nature poems were . . . well, stupid. But the moment the antiwar movement failed and the bombing began, I knew how important poems about birds and trees and loneliness and sex and food and joy were. I knew those little poems were weapons in the war for human kindness.

By Diana Schmitt March 2004
Essays, Memoirs, & True Stories

My Green Mountain

Something has always attracted me to the underdog, and it’s hard to think of an enterprise with worse odds of survival than a raggedy-ass hippie paper in a largely redneck Western county. We were up against a reactionary, well-established, deep-pocketed competitor who could afford to wait us out.

By Jaime O’Neill January 2004
Readers Write

Idealism

Ghosts of plantation-owner ancestors, sainthood abandoned, a long red scar

By Our Readers December 2003